Typically, I'm over zombie movies. Although classics like 28 Days Later and the early episodes from The Walking Dead were gripping, the genre feels largely depleted at this point. Even the much-awaited 28 Years Later has been sitting in my watchlist for some time. But, the platform's new Southeast Asian horror film, The Elixir, managed to subvert what I anticipated and proved remarkably enjoyable.
Excellent Rhythm and Character Growth
One of the film's strongest strengths is its superb rhythm. It kicks off using a memorable initial scene where a calm family gathering is violently disrupted by a van plows right into the seating section. From the wreckage, an extremely zombie-like individual stumbles out and begins assaulting the attendees. This dramatic scene is immediately succeeded by a look back, giving viewers to observe this household before the tragedy struck.
In contrast to many undead movies, The Elixir actually allows viewers enough opportunity to become acquainted with the primary personalities prior to the chaos begins. We meet Nes, a wife and mother with a ex close friend, Karina, is now married to her dad—a clearly awkward dynamic. Naturally, this has predictably led to a falling out among Nes and Karina. Then there's Nes' brother, Bang, described as kind-hearted yet a bit inept socially, and he enjoys playing video games alongside his nephew, Raihan. Nes' husband, Rudi, seems to have recently been unfaithful to Nes. The family patriarch is Nes' father, who runs a popular herbal remedy company called Wani Waras, and who seems focused on just two things: his business and his marriage to Nes' ex-best friend. Needless to say, this family reunion proves extremely strained.
Engaged in the Drama
I became so engrossed in the household's issues and their personal conflicts to the point I nearly forgot I was watching a horror film—which might sound like a drawback, yet ultimately paid off. The Elixir spends a considerable amount of its runtime depicting us the identity of every relative represents, plus the ways they contribute to the general turmoil. This focus on conflicting personalities allowed me to relate to the personalities sufficiently to care about their outcome—an uncommon feat in a genre which frequently introduces characters only to eliminate them soon after. The Elixir doesn't treat its cast as flat, disposable victims for a horde of the undead to devour, so it's a real surprise when things finally go wrong.
Evocative of Parasite
The opening sequences from the gathering and the multiple family interactions actually evoke the film Parasite, a tale that masquerades as a K-Drama featuring somewhat morbid humor before making an abrupt turn toward shocking territory. These introductory moments don't focus as much on humor compared to Parasite, but The Elixir still gives enough time to immerse in the setting prior to it gets upended.
Unique Infection Source
This movie also offers a quite interesting reason for the source of the spreading zombification. Rather than an accidental laboratory incident or some sort of biological weapon, the source of this infectious condition originates in a new batch of Wani Waras herbal remedies developed by her dad. Although some background is provided something regarding its origins, it would have been better if the film devoted additional time on how Wani Waras transitioned from a reputable supplier of natural treatments to creating a deadly potion which seems to include a highly contagious pathogen. Regardless of the lack of background, the impact this affliction produces on people proves utterly repulsive, which I love it. The Elixir's undead are quick, freaky-looking, and, perhaps worst of all, always smiling. This represents a daring choice, but it works. The Elixir's practical effects and computer graphics are also quite convincing, and they're almost guaranteed to provoke one's trypophobia.
Resourceful Personalities
More impressive than the gross-out scenes is the cast themselves. Of course, there are a few instances of dubious choices (as in typical zombie movie), but generally, Nes and her family show themselves resourceful and quick-thinking. Additionally, they don't hesitate to strike an undead in the head, pierce it with a pitchfork, or beat it on the skull with the nearest heavy object is available instead of freezing like prey caught in lights while danger nears.
Believable Family Strike
The Elixir doesn't abandon its focus of familial discord when people begin transforming into zombies, which was a pleasantly authentic deviation from that "We don't get along|"We have issues, but since you nearly died so I instantly forgive you for everything! cliché often seen in apocalyptic films. Obviously, Nes loves her family and values her spouse, Rudi, yet it's equally clear she remains holding onto bitterness over his betrayal in their relationship. When the family becomes split up, they decide via telephone to meet up at a nearby location. However, once Bang reveals he is unaware the way to the location, Nes unleashes an immense amount of frustration toward Bang that's clearly been brewing for years. Nes isn't flawless, and her relatives—flawed as it is—feel authentic and understandable because the film avoids attempting to promote the notion that nearly dying immediately resolves familial strife. This makes the moments where these individuals express appreciation for each other seem much more sincere.
Stereotypical Ending
Despite The Elixir's strong efforts to break new ground, the conclusion must be said to be a bit stereotypical. The Elixir isn't really presenting any deep message regarding relatives or society, as well. Rather, it's mostly delivering frights. Yet these are successful scares, and since the movie gives each character sufficient space to grow and doesn't punish them for having flaws, the result is an engaging and enjoyable
